January 17, 2024
Alumni Advice: Olivia MacKinnon’s Top 3 Audition Tips
We asked SAB alumna, current NYCB soloist and SAB Teaching Apprentice, Olivia MacKinnon, to share her top three tips for auditioning students.
Updated 12/4/24
So, you’ve already signed up for a summer program audition this January, or maybe you’re planning to sign up over the holidays. What comes next? You may have some questions about what to bring or wear to the audition, or what the audition is like. In this post, we address some of these common questions about our summer audition process to help you know exactly what to expect once you arrive at the audition site. We know auditions can be a source of anxiety for students, but hopefully we can eliminate some of the mystery and help you plan for an enjoyable audition experience. Read on for 6 essential things to know about SAB’s summer auditions. We can’t wait to see you this January!
You don’t need to bring much to the audition outside of what you normally have in your dance bag. Below, we break down a check-list of items to bring, along with the audition dress code and pointe shoe requirements.
DO BRING:
DO NOT BRING:
WHAT TO WEAR:
Students auditioning for the girls training track:
A solid color leotard (pick your favorite – it doesn’t have to be black!), pink or flesh tone tights, and pink or flesh tone ballet slippers/pointe shoes.
Students auditioning for the boys training track:
A solid color t-shirt without words or pictures, black or grey tights, white or black ankle socks, and white or black ballet slippers
No skirts, legwarmers or other warm ups are allowed in class.
WHEN TO WEAR YOUR POINTE SHOES: (Girls training track applicants only)
All students 14 years old and under who are applying to the 5-week Summer Course should begin the audition class in ballet slippers and bring their pointe shoes into the audition studio. Students will be instructed to put on their pointe shoes towards the end of the class and will be given some exercises on pointe. Students 15 and above should wear their pointe shoes into the audition studio. They are expected to take the full audition class on pointe. Students in the New York Junior Session audition do not need to bring pointe shoes and will not be given any exercises on pointe.
A lot of our applicants question which audition age group they should attend especially if their age is different at the audition than it will be during the summer programs. You should audition in the age group that corresponds with your age at the time of the audition and not the age you’ll be for our summer programs. (If they’re different). So, a 12-year-old turning 13 in March should audition in the age group designated for 12 year olds. The exception to this rule is a 9 year old who is eligible for our NY Junior Session (turning 10 by July 31) – he/she should audition in the group designated for the New York Junior Session. It is important to note that our faculty evaluators have every student’s current age and birthdate as it was submitted on the application form right in front of them throughout the audition. They know what age students will be during the summer programs and what is expected for the programs they are applying. Some of our NYC auditions have a broad age range and faculty will rely on the age information from the application form to evaluate accordingly.
Eleven year olds who will be 12 by July 31, 2025 and 12 year olds who will still be 12 on June 28, 2025 may be considered for both the New York Junior Session and the five-week Summer Course at their audition. Each audition location also offers a specific time slot for students applying only to the New York Junior Session. Those interested in both programs should not attend the NYJR-only audition but rather the next time slot where they will be evaluated for Summer Course AND NYJR session. Students will have a chance to indicate all programs to which they are applying on the registration form.
You should arrive between 30 minutes to an hour before your designated audition time. (Check your audition city page for details about your specific audition.) Applicants who pre-registered will check-in, show proof of birth and receive their audition number. Those applying on site (Tour cities only) should pick up and complete a paper application from the administrator before they check-in. On site applicants will need to pay the $50 audition fee via cash or credit card when they check in. It’s important to arrive early to the audition as there is often a line to check-in – even if you’ve pre-registered. Additionally, depending on the number of applicants we are expecting, faculty may elect to begin class early to optimize timing throughout the day. Once checked in, you will have the opportunity to warm up nearby. When class is about to begin, the onsite administrator will announce the numbers for the next audition group and line students up in number order. You can help facilitate a smooth transition into the studio by paying attention to your audition number in relation to the group and try to find your place in line. Typically, just before the audition begins after students are lined up, the administrator will take a photo of every applicant in groups of 3-4 students. This is for our records and for faculty to reference after the audition if necessary.
The audition itself is a typical ballet technique class taught by one or more of SAB’s faculty. It includes barre, center and across-the-floor exercises. All genders audition together. Summer Course applicants auditioning for the girls training track will have pointe work, and students auditioning for the boys training track will be given some center jump exercises including battu and air turns for those advanced enough.
On the National Audition Tour, class sizes can range from 20-40+ students depending on the studio space and the number of students signed up for the given age grouping. Classes can run from 1-2 hrs depending on size. We make every attempt to schedule plenty of time for each age group based on anticipated applicant numbers and we do our best to adhere to the published schedule throughout the day. In some cases, the administrator and faculty member may elect to divide an age group into two sections for abbreviated classes with fewer students – most often in cases where space is limited. However, we do make every attempt to end the second group by the end-time published in our schedule. We very much appreciate everyone’s flexibility and patience throughout the day!
At SAB, all audition classes are scheduled for 1 hour and and 15 minutes, and those auditions are capped at approximately 35 students. SAB’s regular classes and operations are happening during most of these auditions, and because both time and space are limited, walk-in applicants are not accepted at our New York City auditions.
SAB’s audition classes are overseen by at least one member of SAB’s year-round faculty. Larger auditions may include one faculty member teaching the class, and one observing and evaluating students. Most of our faculty evaluators are SAB Summer Course alumni and were once in your very shoes! They understand the anxiety that may accompany a student’s audition experience and aim to make applicants feel comfortable and teach an enriching technique class along the way.
SAB’s 2025 audition faculty include:
Marika Anderson
Aesha Ash
Meaghan Dutton-O’Hara
Silas Farley
Adam Hendrickson
Katrina Killian
Lauren King
Allen Peiffer
Jenifer Ringer
Suki Schorer
Andrew Scordato
Read more about SAB’s faculty.
Note: This list is subject to change.
SAB’s faculty understand that many dancers may not have been exposed to “Balanchine Technique” – but students should remember that the foundation of Balanchine’s teaching is the classical Russian ballet technique he learned at the Imperial Theater School, now the Mariinsky. Agrippa Vaganova trained at the very same school! Balanchine’s approach to classical ballet differs from Vaganova’s and other popular styles in his emphasis on precision, control, musicality and speed. When our faculty are evaluating students, they are looking at flexibility, coordination, turn-out, proportions, feet, musicality and technical ability–not whether or not they’ve had Balanchine training. Students with a strong classical foundation in almost any style can be successful. Our faculty look for a student’s potential with the goal of teaching Balanchine’s principles throughout our summer programs to shape more capable, versatile and skilled dancers.
Admission to SAB’s summer programs is highly selective. We audition over 2500 students each summer recruiting season. Our 5-week Summer Course enrolls just over 200 students; and the NY Junior Session enrolls about 130 students. But our faculty don’t have an acceptance quota for each audition. By practice, they accept all qualified students present at any given audition. Merit-based scholarships are determined at the time of the audition. (No separate application is necessary).
All results are sent via email to the address entered on the first page of the application form AND to the email address entered in for Parent/Guardian 1. If accepted, the result email will contain information about any scholarships awarded. The timing of that email is as follows:
For Audition Tour and NYC Applicants
· Pre-registered applicants will receive their results within a week of their audition date.
· Students who apply on site will receive their results up to 3 weeks after their audition date.
Video Applicants
· Students who apply by video will receive their results on a rolling basis beginning mid-January.
· Videos submitted after December 31 may receive results as late as mid-February.
A detailed schedule of anticipated distribution of results by city/audition date will be published at sab.org/results in early January
Accepted students will have approximately 10 days after receiving their acceptance letter to complete their initial enrollment steps and submit a non-refundable deposit to hold their position in the program.
What if You are Waitlisted?
Space in SAB’s summer programs is limited by class capacity and, for the 5-week Summer Course, by the number of spaces we have in our residence hall. We can’t overbook these programs. But acknowledging that not everyone who we accept will enroll, we maintain a waitlist of students who meet our admission criteria and may be invited to attend if space becomes available. We’ll stay in touch with students on our waitlist with updates about anticipated probability of additional invitations. Usually our first communication to the full waitlist will happen in mid to late February after initial enrollment deadlines have passed. We recognize that students have to make decisions about their summer programs and we strive to communicate as soon as possible.
We hope you found this helpful as you prepare for an upcoming audition. You can find the answers to additional questions in our Summer Audition FAQ or on our Summer Auditions and Admissions pages. Again, we hope to see you this January.
Summer Auditions sponsored by:
January 17, 2024
We asked SAB alumna, current NYCB soloist and SAB Teaching Apprentice, Olivia MacKinnon, to share her top three tips for auditioning students.
February 8, 2023
For the first time since 2020, SAB embarked on our National Audition Tour, holding auditions for our summer programs in sixteen different cities.
February 5, 2020
All month long, the School of American Ballet held auditions across the nation to recruit talented dancers for our three summer course programs.