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Founded by George Balanchine and Lincoln Kirstein
Chairman of Faculty and Artistic Director Peter Martins

Faculty

Jonathan Stafford

Born in Carlisle, Pennsylvania, Jonathan Stafford began his dance training at the age of eight with the Central Pennsylvania Youth Ballet under the direction of Marcia Dale Weary. He attended the School of American Ballet’s 1996 and 1997 Summer Courses before enrolling as a full time student at SAB in the fall of 1997.

Dancing Tschaikovsky Piano Concerto No. 2 at NYCB.; © Paul Kolnik

Mr. Stafford became an apprentice with New York City Ballet in October 1998 and joined the Company as a member of the corps de ballet in February 1999. He was promoted to the rank of soloist in March of 2006 and became a principal dancer in May 2007.

Since joining New York City Ballet, Mr. Stafford has danced featured roles in George Balanchine’s Firebird, The Four Temperaments, Divertimento No. 15, George Balanchine’s The Nutcracker™ (Cavalier, Hot Chocolate, Dr. Stahlbaum, and Mother Ginger), Emeralds from Jewels, A Midsummer Night’s Dream (Lysander), Orpheus, Symphony In C (First Movement), and Tschaikovsky Piano Concerto No. 2; Jerome Robbins’ Fancy Free, Fanfare (Double Bass), Interplay, and 2 & 3 Part Inventions; Peter Martins’ Octet, The Sleeping Beauty (Prince Desire and Gold), Songs of the Auvergne, and Swan Lake (“Pas de Quatre” and Spanish); and Christopher Wheeldon’s Klavier and Polyphonia. Mr. Stafford originated the role of Paris in Mr. Martins’ Romeo + Juliet.

Mr. Stafford served as a member of SAB’s guest faculty during the 2006-07 school year and joined the School’s permanent faculty in September 2007.

Mr. Stafford was the School of American Ballet’s recipient for Lincoln Center’s Martin E. Segal Award in 1999. His film work includes Columbia Pictures’ Center Stage.